Typography and illustrations merge into one and form the urban surface of Berlin, from the book "Berlin", 2017
The typography adapts its form to the illustration, from the book "Berlin", 2017
Different elements such as signatures, portraits, text, info box and title are arranged on the double page, from the book "Berlin", 2017
The hand-drawn lettering reflects the character of the music pieces, from the book "Berlin", 2017
The hand-drawn lettering "Berlin" serves as a recognizable logotype, the sublines join as a center-axis set, from the book "Berlin", 2017
Text columns flutter corresponding to the drawing, from the book "Hollywood", 2010
The character study of actor Charles Laughton is underscored by the narrow, shadowy columns of text, from the book "Hollywood," 2010
Different elements like signature, portrait, text, info box and movie title are arranged on the double page, from the book "Hollywood", 2010
The typography matches the illustration, from the book "Hollywood", 2010
The movie data at the end of the book is designed like movie credits, from the book "Hollywood", 2010
The end of the book is reminiscent of the closing title of a movie, from the book "Hollywood", 2010
Vignettes of the musicians described run along with the text and are thus a kind of visual bookmark, from the book "Jazz", 2007
Initial and continuous text are connected by small caps, from the book "Jazz", 2007
An info box connects text with the portrait, from the book "Jazz", 2007
In the discography the instruments of the musicians are represented by vignettes, from the book "Jazz", 2007
The CD has the appearance of a shellac record and is housed on a drawn gramophone, from the book "Jazz", 2007
The hand-drawn lettering "Jazz" serves as a recognizable logotype, the sub-lines join as a mixture of flat and center-axis typesetting, from the book "Jazz", 2007
Vignettes break up the historical introduction, from the book "Gangster", 2005
White text on black background, matching the dark theme, from the book "Gangster", 2005
Der handgezeichnete Schriftzug nimmt die Dynamik der Zeichnung auf, für das Buch „Trans-Amerika“, Büchergilde Gutenberg, 2009
